| The
Reviews Are In...
This Theory
Of Static: Electricity
This Auckland
based band needs to get out across the country and quickly. This,
their third release is chocked to the gills with some explosive
and epic rock.
The brains
behind the outfit, singer/guitarist Dean Young, has a strong and
powerful vocal style, somewhere between Maynard from Tool and
the dearly departed and fantastic Layne Stayley of Alice in Chains.
Young shares a similar melodic tone to Stayley and many of the
songs share the same layered vocal effect employed by Alice in
Chains.
In
an album littered with great music, first track, Set The Controls
is a real standout. With a gradually building intro, the song
erupts into a soaring chorus and makes excellent use of the band’s
mix of electronica and surging guitars.
For a young and still emerging New Zealand band, This Theory of
Static is extremely impressive and deserves a much wider audience.
4/5 stars
- Alastair
Ross, Taranaki Daily News
____________
This Theory
Of Static: Electricity
This ‘band’
has existed since 1998, the vision of Rotorua composer Dean Young
who began slowly writing this music, trusting that one day he
would find the band to do the compositions justice.
This
has now happened, and since 2007 this beast has comprised Jerome
Buckleigh on guitar, Matt Burling on bass, Luke Hale on drums, with
keyboards by Adam Vink – originally called breathingunderwater
until discovering an American emo act with the same moniker.
There’s plenty of emotion in this music, but it sure aint
emo! There’s no getting away from the overwhelming Tool influence,
but having said that, if we're dealing with that level of originality
and passion, it just tells you what a quality release this is.
The
initial dedication to the craft is to be commended. There’s
huge production on songs that are epic in scope, brilliant graphics,
and plenty of food for thought both musically and lyrically. There’s
nothing rushed or forced here, this is outstanding considering its
humble beginnings on a digital 8 track, with later production work
in a project studio in West Auckland.
Young’s
got talent in buckets. As well as writing all the music and lyrics
(except three tracks penned with Buckleigh), he provides voice,
guitars and programming. Tool fans and those who appreciate somber
but uplifting alternative rock should check this out.
-
Ana Glowacz: NZ Musician Magazine, April/May 2009
________________
The gentle distorted vocals at the start of opening track 'Set
The Controls' hides the rip-roaring rock song to come, befitting
the fact that it's written and sung by one of Radio Hauraki's
morning pirates, Dean Young.
And so the
tone is set for This Theory Of Static's new album "Electricity",
an alt-rock experience full of lusty guitars (courtesy of the
talented Jerome Buckleigh) and a demand to turn the volume up.
The third long-player from the Young-led band is a great achievement
for a group signed to a small label and the production values
are excellent. The listener is taken on a dark journey, an exploration
through the rock wastelands and into a place few New Zealand bands
have been.
First single
'In Absentia' is a superb introduction to their sound and style,
and bigger bands (yes, I'm looking at you, U2) could take a lesson
in single picking. And, as good albums should, the tracks hang
together well, meaning the sum is definitely greater than the
parts.
However, there
are some failing with the album. Track 11 is called [d_d.s\011],
which seems more like a typo than the name of a rock song. Let's
just say I like to be able to pronounce the names of songs, so
I had a predisposition to not like it. And I didn't.
The little unpronounceable vignette (it's only a minute and 16
seconds long) as well as Young's vocals appearing to rely too
much on subtle distortion at times slots these guys from conventional
into the alt-rock, bordering on prog-rock, pigeonhole.
Cutting some
of the vocal distortion and cleaning the sound a little might
rip the heart out of This Theory Of Static. However, in my mind,
it could also be the making of them, because there's no doubt
they are a group of talented musicians who deserve to be listened
to.
Despite the
short-comings, it is clear this album is a worthy purchase for
anyone who likes their music with an edge on it. Pick it up and
play it loud.
Recommended.
7/10
-The
Eclectic – 21.04.09: The Y!X Review [yahoo.co.nz]
________________
One
of the most electrifying (pun intended) new releases of the month
comes from a little known Auckland – based act signed to a
little known independent label.
This
Theory Of Static started life as the solo project of singer Dean
Young, but expanded to a full 4-piece band in recent times, resulting
in Electricity, the first album made together but third
album overall.
Starting
off with the brilliant “Set The Controls”, Electricity
is 12 tracks of some of the more innovative music you’ll hear
from a Kiwi band this year, or any year for that matter.
While
the group’s sound does touch on a wide range of influences,
it never imitates, instead relying on the guitar work of Jerome
Buckleigh and singer Dean Young, and a tight rhythm section, to
really give the record personality.
Sure,
there’s a guitar lick or a vocal line reminiscent of A Perfect
Circle, Deftones or even U2 here and there, but it never gets stuck
in that mold. The first single “In Absentia” is testament,
with Young’s vocal work melting over a gentle, yet intense
guitar riff before closing out with a powerful chorus.
Rock
fans, this is one album you won’t want to miss.
4/5
stars
-Chris Philpot Investigate Magazine March 2009
________________
Dean
Young's one man project in the vain of Nine Inch Nails meets Tool
comes to life with the addition of a full band on the band's third
full length release. Auckland's Theory Of Static previously known
as Breathingunderwater have come close to perfecting the sound of
Kiwi experimental rock. The songs are spacious and dramatic.
Sonically
the album comes off as a complete success with an international
quality mix. In particular the drums are captured flawlessly and
the guitars are huge. The ever building tension of Set The Controls
is priceless and The Planets Align oozes energy with smooth melodies
over a manic rhythm.
Detuned guitars
and dark and angry themes through the album set the tone for a menacing
mood without losing direction for a moment. Songs such as To Ruin
and Oceans Of Ashes can not avoid being taken seriously. Young's
vocals are ambient, story telling and perfectly subtle.
The only weak
part of the product for me was the similarity between songs and
continued theme which could easily suggest concept album. A great
local release and a must listen for any Tool fan.
****
-Waikato Times
________________
"...an often dark, always epic album"
3/5
stars
-
The Sunday Star Times
|